Artists' Fund Society records

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Artists' Fund Society records

1835-1855

https://n2t.net/ark:/65665/mw950699e42-c4e5-49ea-b0bb-ceddd5d2c5c6

The Artists' Fund Society records, microfilmed on Reel P24 contain a manuscript of the constitution (1837); a memorial to the U.S. Congress that the Revenue Bill should include a tax on every foreign print or picture brought into the United States for protection of American Artists, signed by John Neagle, President of the Artists' Fund Society (1841 August 27); and a list of members (1855 October). Also included on Reel P28 are minute books (1835-1843), 302 pages, index on frames 699-703; proof sheets of the charter and by-laws of the Society, corrected and signed by John Sartain; letters of acceptance to honorary membership (1837-1838), index on frame 857; miscellaneous autograph letters and notes from artists and others (1836-1858), index on frame 879.

Archives of American Art

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SNAC Resource ID: 6737900

Archives of American Art

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There are 3 Entities related to this resource.

Artists' Fund Society.

http://n2t.net/ark:/99166/w6t787q1 (corporateBody)

Sartain, John, 1808-1897

http://n2t.net/ark:/99166/w6g44spj (person)

Engraver, portrait and miniature painter John Sartain was born in London in 1808 and moved to the United States in 1830 after a seven year apprenticeship to London engraver John Swaine. Besides his banknote and portrait engraving, Sartain was noted for his magazine engravings. In 1849 he began his own magazine, entitled Sartain's Union Magazine of Letters and Art, but ceased its publication three years later due to financial troubles. Sartain was also the director of the Pennsylvania Academy of ...

Neagle, John, 1796-1865

http://n2t.net/ark:/99166/w69c7h42 (person)

John B. Neagle was a portrait painter. From the description of Notebooks, 1825-1850. (American Philosophical Society Library). WorldCat record id: 122616046 John Neagle was a portrait painter who lived and worked in Philadelphia in the mid nineteenth century. While serving as an apprentice to Thomas Wilson, a "coach and ornamental painter," he began to consider painting as a career for himself. He studied under Thomas Sully, and in 1818 ventured to Lexington, Kentucky, with ...